Montenegro-Magtalas.
After the well-received "A Very Special Love" and the record-breaking "You Changed My Life", the much-lucrative romantic tandem of John Lloyd Cruz and Sarah Geronimo is finally back to once again rekindle the love story between rich hotshot Miggy Montenegro and the quirky Laida Magtalas, and people sure are elated. It also sure helps, anticipation-wise, that the film is widely accepted and believed to be the last one in the 'Miggy-Laida' movie franchise. But then again, I just want to remind you that, after all, this is Star Cinema we're dealing with here, so the next thing we know, we're watching Miggy and Laida, geriatric and all, inside a nursing home.
"It Takes a Man and a Woman", entitled so because it deals with the intrinsic essence of being a man and a woman in the context of love and also because, well, there's not much love songs left to choose from, is a rom-com film that capitalizes on the first two films' humor and one-liners too much that it ended up looking more like a rehash of its predecessors rather than a pure, standalone sequel. But thanks to Sarah Geronimo's infectious energy, the film's reliance on recycle humor has ironically proven to be one of the film's strongest points. After all, the movie is centered upon her character and on the humor that she endlessly churns out, so it just feels right for Ms. Geronimo to be a complete stand out among the rest, including even John Lloyd Cruz himself. But viewers beware: "It Takes a Man and a Woman" is a movie that can only be enjoyed by those who have already seen (and liked) the first two films. As for me who has always been slightly indifferent towards movies of this kind, I quite liked what I have seen. Although of course, typical for a Star Cinema feature, this one's got some issues too.
One of them is the fact that it has re-manufactured too much scenes from the first two films. Granted, the film, as what I have mentioned above, has been very conscious of what wonders recycling certain moments from its predecessors can do to elicit humor. But doing it too much can easily become quite a nuisance because one, it clogs the narrative with utter redundancy, and two, because it just goes to show that the screenwriters only have a few new things to offer.
I also hated how the movie has lazily resorted in using a thinly-written, blandly-realized character (played by Isabel Daza) as a momentary foil to the love team (Really? Aren't there any other options?). For me, with the Laida and Miggy characters being naturally repellant of each other (they are grudge-filled exes after all), the writers should have capitalized on that angle more and downplayed the surface level idea that they can't be together simply because there's an insubstantial third character involved.
But despite of that deficiency, I loved how the movie has balanced work and play; that is, the film was able to mix the sentimentality and the humor without overcooking either. Well, let's just say that "It Takes a Man and a Woman" is the end product when we combine "A Very Special Love's" happy-go-lucky, abundantly comedic feel with "You Changed My Life's" more subtle dramatics.
But then, just when I thought that the film is quite walking the path of sun and breeze, the abominable final scenes came; scenes filled with globs and globs of sugar that even Willy Wonka would cringe. Suddenly, the balance that the film has maintained all throughout has suddenly vanished to give way to the utter glucose fest at hand.
To be fair, "It Takes a Man and a Woman" is a very entertaining and well-realized crowd-pleaser, but for your own good, please do quietly walk out of the theater midway through the final 'airport' scene and calmly save yourself from the impending horror, for the final scenes are basically diabetes on celluloid.
FINAL RATING
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